A Farmer-Country Music Singer’s Road to Spotify Fame

Country Music



Logan Mize is running. Perhaps not the “I am a rock superstar, the planet operates on my clock” form of late night, but instead that the “can’t locate a cab in the full town” kind. It is a rainy night in early October. He is fresh off a 6-mile streak, 20 minutes to his own “Meat & Greet” event, also makes the decision to resort to an Uber ride which takes him throughout the core of Iowa City before dropping him in the front of the place where he plays in one hour and a half.

Up the creaky wooden staircase of the Blue Moose Harness House, standing to a darkened checkered floor in the meet and greet, under a leaking ceiling using a missing tile plus a red classic Budweiser chandelier, Logan Mize retains a plate of hot dogs.

“You want ketchup in it,” He asks a guy from the corner of a tiny 10×15-foot area in the rear of the place, hidden as the green area. The guy takes.

“Anyone else?” he asks.

Since he serves his lovers’ hot dogs in his very own series, he admits a couple of faces from the audience, including a couple he has interacted together on Twitter whose young son has experienced numerous surgeries, very similar to Mize’s child.

A great deal about the nightstands outside. The smaller audience takes his head back into the start until his six-string obsession might be thought of as a livelihood back into the Friday nights spent acting picnic tables at the living areas of school-home parties or background sound for $6 night in the pub.

Mize admits another duo, a set of 20-something buddies sitting on the black leather sofa. He performed a series in their own barn a couple of years back for a bunch of approximately 80 individuals.

That series was among 42 Mize played at a two-month acoustic excursion he reserved himself through interpersonal networking. Following two decades using Sony Music, Mize found himself with a record deal following Sony’s CEO resigned in 2015. Sony explained the business and Mize “parted ways” Mize says that he has lost.

“Everybody in Nashville,” Mize says, “they sort of stopped thinking in [me] a tiny bit.”

Nonetheless, the end result was that Mize, his tour director, along with his drummer packed themselves into a 1989 Chevy Caprice station wagon named Glenn to get a 20,000-mile assignment, partially to show some people wrong but largely for Mize to establish himself.

They exude $60,000 driving about in a station playing bar, clubs, and backyards.

“I flipped all those stats at the close of the excursion and said, ‘We really have a fan base,'” Mize states. “We can accomplish this.”

There is an hour prior to the show today. Mize and his lovers trade small talk. A number of them tell they came into his show at Des Moines earlier in the calendar year, and he even names the place. They are happy he recalls.

He is dressed like he is prone to be from the audience as on the point, at a navy blue short-sleeve shirt with a collar, khaki trousers, and work boots. It does not feel as though he has 1.6 million listeners around Spotify. Or enjoy his record debuted at No. 2 in the statecharts. Other artists acquire a good Spotify promotion service to achieve such feat, but he did it the organic way. Sometimes it seems like Mize does not know what to say to keep the dialogue moving, but he tries anyway. He needs his supporters to relish the 5 updates for meet-and-greet tickets at a night that functions as an indication of just how far he has come, along with also a reminder he’s not yet at which he would like to be.


At a cornfield, a half-hour drive from Wichita, tucked away from the town of Andale, Kansas,” Mize is now currently pushing a tractor. It is September and the crop is just getting started, so obviously, the nation singer is at which he generally is Monday through Wednesday, helping out JAM Farms, the big, fourth-generation, family-owned and run by Jake and Pete Martin, the cousin, and cousin of Mize’s spouse.

Mize climbed up an hour worldwide from Clearwater, Kansas, a city of approximately 2,500, in which his father was a butcher in the household’s grocery shop, and almost all of his friends grew up on farms.

He has performed all around the nation, belting out brilliantly crafted lyrics into loving fans who yell them back. But caged up involving partitions of John Deere green, is really Mize really feels comfy.

“I feel at ease,” Mize states. “Going on stage facing people is hard for me since it is from my comfort zone. So to have the ability to choose the facets of a little city and farming and all of that stuff and make it out on point like a really pretty easy little city dude, I believe in mind, that is just sort of that I am.”

From the whale, Mize rolls fertile black Kansas dirt, so the type the farm corn and soybeans develop finest in. When he moves to the radio he is very likely to listen in to a few of his favorite musicians, individuals who affected him such as Tom Petty and Elton John, or possibly Tim McGraw and Alan Jackson. But when he turned onto a state radio station, he would probably smile. Not only because of who is on — he is opened for a number of the genre’s greatest stars such as Eric Church and Dierks Bentley — but due to the references to aquatic life which just are not very true.

“I only know all of the men attempt to sing about reddish dirt and hauling out your hands from the red soil,” Mize states. “I am like, ‘Man you ai not grown out anything there.’ I can not sing a song about developing stuff from the red dirt as [where I am from] it is not likely to rise. It is just fun things like this.”

Most musicians grew up on farms. Luke Bryan climbed up on a farm in Georgia, and Carrie Underwood hails out of a cattle ranch in Oklahoma. Both have graduated into million-dollar estates. However, while the excursion finishes and Monday morning comes, Mize is actually the only about the tractor.

“He combines in with almost any other farmer in the desk,” says that his cousin and plantation proprietor, Jake Martin. “Whenever he is not on the street he will pretty much always appear to assist, and we hope the task he can.”

He is the man who has accumulated over 35 million flows on Spotify because of his tune “Ain’t Always Pretty” and also the person who framed homes worked as a truck driver, and a bouncer to fend off period before his songs could encourage him. His collar is blue on the cover artwork because of his 2014 breakout lone “Can’t Eliminate a fantastic Time.” The shirt that he wore, together with his title tag stitched over the shirt pocket was the exact identical one he wore throughout each operation for more than a year since he did not wish to be worried about his lackluster style sense. From a number of angles that he looks more like his crowd compared to the artists that he competes against for broadcast on the radio.

And that is where he is different: from the simple fact, he’s not.


Two-and-a-half years afterward he began as a student-athlete in Southern Illinois,” Mize is sitting at a place he has not spent much time throughout the session: his Anthropology 101 classroom. It is December 2005, the very first semester of the junior season and the last examination rests facing him.

Between courses, playing defensive end on the football team, along with his enthusiasm for music, college was failed. His love affair with his acoustic guitar could often survive long into the night, coming to a conclusion simply to make a method for early afternoon soccer workouts about 5 a.m. Courses were much more of a diversion than an opportunity to learn. Since his collegiate career progressed, it was obvious that of those three was that his first priority.

Mondays were stuffed up with six hours driving to and out of Nashville for nighttime booked for the town’s Bluebird Cafe, in which Mize would play his songs, partially to practice before an intimate audience of approximately 90 individuals, and partially for its small chance, someone could discover him.

He dressed in complete Western wear, finish with a Stetson cowboy hat, such as when “John Rich has been in an acid trip,” Mize states.

Another actor dressed. Mize attracted a fiddle player.

“I would come down and attempt to play these displays like I had been putting on an operation to get a full-blown stadium,” Mize states. “I probably seemed like a total moron.”

In the classroom, Mize research the examination, as well as the substance, appears to be comfortable. He understands he is likely failing the course but thinks maybe if he’s an excellent enough quality on the last he may have the ability to pull a passing level. Subsequently, at the center of this evaluation, a light bulb goes off at Mize’s head.

He walks directly to his advisor’s office.

Could you check my quality at Anthropology 101? Mize asks.

Why can you register for it? His advisor responds. You handed in flying colors your freshman season. As a junior, you’re likely to fail this course.

“This was when I understood I had not to be in school,” Mize states.

He had to be in Nashville.


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Eight weeks have passed since Mize fell from college in Southern Illinois to pursue a musical career in Nashville. It is July 2006 and he is in Kansas. He has been attempting to spend less by framing homes back close to his team, but he has not been effective.

He even tried his hands in Wichita State’s faculty of music but after understanding the college-educated jazz songs rather of the way to become a country music superstar, he fell out after two weeks, the next faculty he has dropped from in three decades, for example, community school he moved into before landing in Southern Illinois.

He is considering going to Nashville next week, however, he has been muttering that sentence for the past six weeks. It is the middle of August, also Mize is fed up. Fed up with a laundry list of failures: college dropout, stop the soccer team, arrived home to earn $2 an hour. A listing of failures that are badly maintained secrets in a little city where your final name is plastered over the city’s grocery shop.

So ultimately, at 3 pm after quitting his father’s butcher shop to inform him exactly what he is around, he renders. He’s $60 for his title, virtually no strategy, and a sense of independence frees him 11 hours submerged across the street.

“I needed to make something happen fast,” Mize states. “The pressure has been on, and perhaps this was a thing that I didn’t force myself to buy equipment.”

In 3 days, Mize finds herself a job as a truck driver and also somewhere to reside. He deals his golf clubs at a home shop in exchange for a guitar, also begins working: going to authors’ nights, creating connections, and pitching distinct rings together.

Among the very first things he sees is how fellow aspiring musicians behave. Individuals are attempting to get found, of course, but it is just like they are waiting in a lineup to have someone have a shot on these and vault to fortune and fame. Mize can not find the purpose at that.

“I will only go out and create something,” Mize believes. “I will make something and just see what follows.”

He receives a publishing deal in late 2007 to compose music for many others, but it does not last, therefore Mize goes to hard labor, weed-whacking that the ditches from the depths of Music City.

He resorts to residing within his Chevrolet Suburban for a short time, although the hunt for success persists.

His appearance is not flamboyant, his sound is not traditional, along with also a Southern twang that overlooks country radio does not trickle out of his accent. He is 7 inches taller than Kenny Chesney, and he does not attempt to conceal the rock n’ roll impacts which definitely escape out of his voice.

He is different.

“The [record labels] from Nashville aren’t proven to take huge rissks,” Mize states. “I was not a down-the-middle pitch. I had been sort of a curve.”

He can change his appearance, possibly put in a cowboy hat and boots. Or attempt to match with the pop-country facet of this genre, but this is not that he is.

Ultimately, after several tries to acquire encounters with a high executive and being turned down, then he still receives you.

It is 10 a.m. on April Fool’s Day 2010. The very first tune on his own self-titled debut record, “Ride from the Heart” is acting as he walks to the workplace of Carla Wallace, the creator of Large Yellow Dog publishing. She sits on a chair with her back to him. She quits the trail, and until any words could be spoken, Wallace states “Tell me the way you are another than Dierks Bentley.”

Bentley is out of Arizona. She simply thinks they are similar since they are the only ones in country music that aren’t in the South,” Mize informs her.

“Play me something different,” Wallace responds.

Mize brings out his guitar plays his tune “Rock N Roll Band.”

Well I climbed up a teenaged child

Would have been just fine performing exactly what my dad did

Til he broke one day and introduced home that guitar

I chased that rocket boat and headed directly for the celebrities

At two pm he walks out using a publishing deal.

“I had been to each and every publishing firm on Music Row, several occasions,” Mize states. “They said .”

Today, more than eight decades after, Mize says he is waiting to grab his first huge break. He released a record in 2012 with Large Yellow Dog and in 2014off a record that was never published had the individual single “Can’t Get Away From a Fantastic Time,” profit viral traction, that resulted in signing the deal with Sony. He composed two lengthy play recordings (or EPs), a single which came out from 2015, also yet one that Sony never published. His 2017 separately released record “Come Road” has lasted to provide the artist more faithful and expanding viewers, although is always performed on the radio.

In 33, as a married dad of 2, he appears finally poised for a breakout season in 2019.

“There is no one in Nashville that has worked harder and longer than he’s,” guitarist Joe Giaimo states. “He’s the tunes. Creatively, he is there. It is time. 2019 ought to be a significant year.”

Mize is publishing his own song “Better Off ” to radio in early February via cooperation with amusement power Atlantic Records. He was later a characteristic on a remade version of “Something To Be Proud Of” on Montgomery Gentry’s best hits record.

However, for the time being, back beneath the dripping ceiling of a tiny place in southern Iowa,” Mize and his group pack up their collection. The rowdy audience of a couple hundred has cleared out, also Mize sits between the older wood plank walls of this green area. He is now reading two novels, 12 Rules For Life from Jordan Peterson, also Sapiens: A Short History of Humankind by Yuval Noah Harari he carries about in his back.

He is training to get an ultramarathon. “A 50-miler,” he says, and that looks tired.

Perhaps it’s in the 30 miles he has conducted this week or even the simple fact that sleep is evasive throughout the center of a Midwest tour in a van that he frequently pushes. However, probably he is tired in the decade of traveling the nation and making songs how he needs, making his own fracture instead of merely waiting online for this.

“I always wished to get it done the ideal way so that I did not end up on a point I did not meet,” Mize states. “So perhaps I generated this battle component of it. However, I believe this way, if we are headlining Wembley Stadium, I will go, ‘You know what? We made this item.'”